Jordan Davis’ latest smash “Slow Dance In A Parking Lot” is this week’s Country 1037 Nashville Spotlight. From his debut album Home State and the follow up to his #1 singles, “Take It From Me” and “Singles You Up.” Listen for it on your favorite station Country 103.7! Check out the song here!
Make sure to see him live on September 27th at the Spectrum Center!
About Jordan Davis
Jordan Davis is a Shreveport-born, Nashville-weathered creative soul with his feet firmly planted in two different eras. The imagery in his songs relies on the same specificity behind such classic, lyrically-driven songwriters as John Prine, Jim Croce and Bob McDill. But the tech-tinged production and silvery phrasing in those same songs embody the genre-defying musicality of such current acts as Eric Church, Sam Hunt, and Lady Antebellum.
Kris Kristofferson would likely brand Jordan a walking contradiction – repurposing a phrase he once applied to Johnny Cash – and Davis would heartily agree.
“The thing that is weird to me is the pure songwriting fan that I am compared to what I love production-wise,” Davis notes. “I love these huge, big sounds – big drums, loud guitars – but my favorite show to go to is John Prine or Jason Isbell, you know just standing up there with a guitar. They’re seriously opposite ends of the spectrum, but I think that marrying the two, there’s a cool way to do it.”
Working steadily on his debut album for Universal Music Group Nashville, Davis is welding those two ideals nicely. The jangly, skittering “Singles You Up,” the picturesque come-on “So Do I” and the propulsive “Take It From Me” each mix those elements in varying degrees, some leaning heavier on the production, others focused more on the lyrics, but all of them held together by Davis’ unique, laidback phrasing. His easy-going nature and focused interpretation of the world around him are easy to identify in those songs, the same way that Jim Croce’s personality came through in some of the music that influenced him.
“Those songs take on so much more life if you find out how introverted he was,” says Davis. “He really just wrote songs because they let him say what he wanted to say. You hear a song like ‘I’ll Have To Say I Love You In A Song’ – that probably was him not knowing how to say it, but he knew he wouldn’t screw it up if he sang it. Those songs are awesome.”