Chris Stapleton Will Perform At 2022 Grammy Awards
Multiple 2022 Grammy nominee Chris Stapleton has been added to the performer lineup at the upcoming Grammy Awards along with Jon Batiste, Foo Fighters, H.E.R., and Nas.
Brothers Osborne are among the previously announced performers, including BTS, Brandi Carlile, Billie Eilish, Lil Nas X with Jack Harlow, and Olivia Rodrigo.
The 64th Annual Grammy Awards will be handed out on April 3, 2022. They will air live on CBS.
Watch Chris Stapleton perform at the #GRAMMYs April 3rd on @CBS. pic.twitter.com/97Q9G17SPa
— Chris Stapleton (@ChrisStapleton) March 24, 2022
This year, Chris is nominated for Grammys for Best Country Album for Starting Over, Best Country Song for “Cold,” and Best Country Solo Performance for “You Should Probably Leave.”
Chris Stapleton – 40 Top Songs
Arenât we all? Here, Stapleton sings about -- we presume -- his wilder, younger days. âWell I drank a lot of whiskey in my time/And I've held a lot of women that were fine/And I made a little money, I blew every dime/Tryin' to untangle my mind.â As a presumably wealthy, family man these days, it seems heâs mostly untangled.
Co-written by Stapleton and Jesse Frasure. Frasure said that the song came out of sessions where they were trying to write Motown-like songs, with artists like Bruno Mars in mind. Apparently, Rhett was kind of nervous about singing the song after hearing Stapleton sing it on the demo. But the song, like so many of Stapletonâs, translates really well to different singers and different formats.
Weâd be remiss not to include a Timberlake collaboration here; after all, it was Stapleton and Timberlakeâs performance of âTennessee Whiskeyâ and âDrink You Awayâ at the 2015 CMAs that launched Stapleton to national stardom. And their collaboration on Timberlakeâs 2018 country-leaning album was a high point for both artists.
This live recording is just Chris singing and playing his acoustic and Morgane, Chrisâs wife and bandmate, singing along, paying tribute to Don Williams. Although Stapletonâs shows with his band are legendary, it would be interesting to see Chris and Morgane tour as a duo one day.
Phillip Sweet sings lead on here, leading Little Big Town through an upbeat party stomper. Stapletonâs always-prominent blues influence comes out in the lyrics: âWork's been slow, money's been tight/But that's alright, honey, that's alright/Sometimes you won't, but sometimes you will/And when she do what she do, it's a doggone thrill.â
A rocker that was co-written by Chris Stapleton and Mike Campbell, the guitarist from Tom Petty & The Heartbreakers, itâs a nice union of two great six-stringers. Stapleton has cited not only Petty, but also Campbell, as a huge influence.
Co-written by Stapleton and Terry McBride, it shows Stapletonâs sense of humor: âLet me just say for the sake of conversation /If it's hard to think as reincarnation /But don't you go crying for me when I'm gone /Told them I'm gonna come back as a country song.â
Those who were surprised to hear Chris Stapleton playing a straight up hard rock song, âBlowâ (with Ed Sheeran and Bruno Mars, of all people) clearly werenât familiar with his short-lived rock band, the Jompson Brothers, who put out one self-titled album in 2010, after he left the bluegrass group the Steeldrivers. âHey Girlâ is a pretty timeless breakup jam with pretty simple lyrics: âHey, Girl! I want you to know/I'm gonna miss you so much if you go/And, Hey, Girl! I tell you no lie/Something deep inside of me's going to die.â So, they werenât Stapletonâs best lyrics, but theyâre definitely fun to rock out to.
Stapleton and Crow previously wrote âHomesickâ for Crowâs 2013 country album, âFeels Like Home,â but this song, which they also co-wrote, was their first duet on a studio album. âTell Me When Itâs Overâ is like an edgier â70s R&B hit. Had Stapleton and Crowâs 2020 tour gone on as scheduled, it would have been cool to see the duo singing this one.
Co-written by Stapleton, Monroe and Jessi Alexander, itâs a classic country waltz, and one of the saddest ones youâll ever hear. The narrator has been dumped, and although she knows that her ex- (âthe Devilâ) was terrible, she wants him back. âI'm at rock bottom with a smoke and a sin/When the party is over, then I'm lonely again.â
Rock music doesnât crank out guitar heroes like it used to, and hard rock bands donât produce many classic party jams anymore, either. Enter Ed Sheeran, Chris Stapleton and Bruno Mars with this gem, showing how much fun it is to rock out. Co-written by Sheeran and Stapleton, among others, and produced by Mars, it makes you wish that this trio did a few more jams together.
A mid-tempo rocker about running out of a certain recreational substance. Perhaps youâve been there!
A straight-up slow-burn blues song about being on, well, death row. The lyrics are as dark as Johnny Cash at his most desolate: âWhen it's time for my last request/Tell my mama that I did my best/Tell my baby that I love her so.â
The opening track from the Steeldriversâ second album, and their final album with Stapleton. His lyrics, as is so often the case, are poetic yet easily relatable: âThere's two angels sittinâ on my shoulders/All they ever do is disagree/One sits on the side of rhyme and reason/The other on the reckless side of me.â
Stapleton is such a good songwriter, itâs surprising that he often covers other peopleâs songs. But as a singer, heâs a great interpreter: exhibit A :his cover of the Charlie Daniels Bandâs âWas It 26.â In it, the narrator tries to recall what happened while he was 25⌠or was it 26.
A somber acoustic song featuring the mournful harmonica of Mickey Raphael (from Willie Nelsonâs band). The narrator in the song watches as his father loses his belief in God; the son, however, never seems to lose faith.
Stapletonâs first top 10 country single as an artist is an epic breakup jam. His ex- tore their wedding photograph in half, she puts his guns in hock, poured his whiskey down the drain, burned his guitars, broke his fishing rods, threw his clothes in the yard and then changed the locks. She even drove his hot rod into a pond. Youâd think that would make most guys angry. But as Stapleton sings, âI got nobody to blame but me.â
âDrinking dark whiskey/Telling white lies/One leads to another/On a Saturday night.â You know how it goes! Stapleton helpfully notes, âWhen the bottleâs talking/Be careful what he might say/It talks in the dark/Like it never would in the day.â Youâve been warned!
A classic country cheating waltz. The narrator laments over the fact that sheâs cheated. As she lays and/or lies in bed and begs the Lord to get cheating off of her mind, âHe'll call to say that he sure had fun/Just so I know/There's more where that came from.â
Stapleton covers a Beatles classic, backed by two country legends at a 2015 tribute concert. At that point, the older rock audience wasnât necessarily familiar with Stapleton, but many were asking âWho *was* that guy?â Stapleton also performed âDonât Let Me Downâ with Sheryl Crow and Killers frontman Brandon Flowers.
Most post breakup songs are from the perspective of the dumped, and Stapleton has certainly written some of those. But on âNobodyâs Fool,â the narrator watches an ex- walk into the bar: âDay I left is my only regret/And now it's become his biggest thrill.â When her friends ask about him, Lambert sings, âI'll just say, âHe's nobodyâ/And me, well, I'm nobody's fool.â But she doesnât sound so sure about it.
You gotta hand it to Stapleton, he doesn't blink when it comes to recording country classics. This song is an iconic Willie Nelson hit, and Stapleton even uses Willieâs harmonica player, Mickey Raphael, on this song! But like other great song interpreters, from Wille to Aretha Franklin to Ray Charles, when Stapleton sings a song, itâs *his* song.
Over 40 years ago, the great Waylon Jennings asked, âDonât You Think This Outlaw Bitâs Done Got Out Of Hand?â He wasnât wrong, to ask. But Stapleton isnât wrong, either, when he points out that being an outlaw is just a state of mind.
âSince my whiskeyâs gone, I might as well get stoned,â Stapleton sings on this jam. The guy got kicked out of his house by his ex-, and then he watches the news, where he sees the hell that soldiers, and their families at home, go through. We are not advocating getting stoned, but weâre not judging him for it either.
Itâs one of Stapletonâs most devastating songs: itâs about the unexpected loss of someone close: it could be a family member, a friend or a lover. Bryan, who had lost both of his siblings, delivers the song absolutely perfectly.
Surely, there arenât too many bluegrass classics written since 2000, but this would certainly be one of them. This song, which kicked off the Steeldriversâ debut LP, feels like it could have been written and recorded five or six decades earlier.
Probably Eltonâs best song of this millennium, the lyrics reflect Taupinâs sorrow after going through a third divorce. Happily, Stapleton hasnât been through that, but he still delivers the song perfectly.
An honest look at a relationship, likely based on Chris and Morgane Stapleton. He admits, âThis might not be an easy time/There's rivers to cross and hills to climb/Some days we might fall apart/And some nights might feel cold and dark.â But through all of the difficulties of a long term relationship, âWherever we are is where I wanna be.â
Another song that sounds like it could have been an R&B hit in the â70s, with another singer (and quieter guitar).
As good of a âroad songâ as Bob Segerâs âTurn The Page,â but coming from an older perspective. âSometimes I'm drunk/And sometimes I'm stoned/And yes, I get tired of being alone/I miss my son/And I miss my wife/But the devil named music is taking my life.â Surely every touring musician and crew member in any genre of music can identify.
This solo acoustic lament starts out with Stapleton in full-on heartbreak mode: âThere's a bottle on the dresser by your ring/And it's empty so right now I don't feel a thing/I'll be hurting when I wake up on the floor.â Of course, he notes that he can pick up more whiskey whenever he wants. âBut your forgiveness/ Well, that's something I can't buy.â
Originally a bluegrass jam from his days in the Steeldrivers, Stapleton revisited the song as a hard-driving rocker for his 2017 album, âFrom A Room: Volume 2.â The narrator here is sentenced to 40 days in jail, and notes that the 39th day is the hardest.
While many Stapleton songs end up on albums by other country singers, this one was later covered by Adele. Apparently, her bus driver turned her on to the song and she recorded it as a bonus track for her '21' album.
Stapleton co-wrote this one with Dan Wilson of alternative rock band Semisonic (you might know their big hit, âClosing Timeâ). Itâs a moving tale of a couple leaving their small town for the city lights. Theyâre ârunning on hope and a tank of gas,â and we never really find out if they find what they were looking for. But you get the impression that, at least theyâ got close: â I got a feeling tonight might be the night/Yeah, tonight might be the night.â
The opening track from âFrom A Room: Volume 2,â itâs a cover of a song written by country singer/songwriter Kevin Welch which was recorded by soul legend Solomon Burke in 2006 (itâs worth seeking that version out too, BTW). Stapleton more than does the song justice, and it sounds like something he might have written.
Again, Stapleton isnât shy about taking on country classics: this one, co-written by Dean Dillon and Linda Hargrove, was first recorded by David Allan Coe and later by George Jones. But as always, Stapleton made it his own and one day when his âgreatest hitsâ album is compiled, this is sure to make the tracklisting.
As weâve established, Stapleton has written some of the best country songs of all time. But with songs like this, you realize that if he was around in the â70s or â80s, he could have had a great side gig writing for rock bands like ZZ Top or Lynyrd Skynyrd.
The title track and lead song from his solo debut, Stapleton wrote this one by himself. Some people just donât fit in, and they canât settle down. But just when you think that the song is about being alone, he flips the script a bit: âSomebody else will have to feel this wrong/ Somebody else will have to sing this song/Somebody else will have to sing along.â There are *other* travellers like you out there, too! And when Stapleton tours again, youâll sing along with a few thousand of them.
Was âTravellerâ a flash in the pan? âBroken Halos,â the lead track and first single from the follow-up, quickly shushed anyone who doubted that Stapleton had more classics in him. Like âDrink A Beer,â this song sadly recalls a friend who left this earth too early.
A love song, but the kind you can only write when youâve been in a relationship for a while; itâs when youâre at a point in your relationship where itâs strong enough to endure disagreements and fights. Some of Stapletonâs songs see him looking at his mistakes and realizing that he deserves his fate; heâs earned his loneliness, it serves him right. But here, heâs in a relationship that will last; theyâre in it for the long haul. This song acknowledges that that road can be bumpy.